Soprano Audrey Luna, who Opera News says “has power and a blazing coloratura facility that most lyric sopranos can only dream of,” continues to be one of the opera world’s most exciting artists. In her triumphant performance of Ariel in The Tempest at the Metropolitan Opera, the New York Times said: “Mr. Adès’s Ariel is a dazzling creation, and Ms. Luna conquers the role.” Her performance as Ariel in this production of The Tempest is available on DVD on Deutsche Grammophon; the DVD was awarded a French Diapason d’Or, and the audio recording has been nominated for a 2014 Grammy Award, “Best Opera Recording.”
Season 2013-14 engagements currently include her return to the Metropolitan Opera as Fiakermilli in Strauss’ Arabella and the Pittsburgh Opera as the Queen of the Night in Die Zauberflöte, and debuts with Opéra de Montréal in the title role of Lakmé, San Francisco Symphony as Ariel in Scenes from The Tempest, with Virginia Opera as Zerbinetta in Ariadne auf Naxos and as soloist with the Williamsburg Symphonia in an Opera Gala Concert.
In season 2012-13 Ms. Luna returned to the Metropolitan Opera to sing Ariel in its production of The Tempest, sang Zerbinetta in her debut with Fort Worth Opera, the Queen of the Night with Utah Opera, La Santa Muerte in Sosa’s Regina with American Lyric Theater, and returned to the National Philharmonic as soloist in Carmina Burana.
In 2011-12 she joined the roster of Lyric Opera of Chicago for its production of Ariadne auf Naxos, and made her debut with that company as the Queen of the Night. She also sang Ariel in Thomas Adès’ The Tempest with Orchestra Dell’Accademia Nazionale di Santa Cecilia and with Festival Opéra de Québec both conducted by the composer; as Madame Mao in Nixon in China with Lyric Opera of Kansas City; as the Queen of the Night with Teatro dell’Opera di Roma; as soloist in George Crumb’s Star Child with the American Symphony Orchestra at Carnegie Hall; as Gretel with Intermountain Opera Festival; and as soloist in Amy Beach’s Grand Mass in E-flat Major and Debussy’s Martyrdom of St. Sebastien both with the National Philharmonic.
In 2010-11 she made her debut with the Metropolitan Opera as the Queen of the Night and returned to sing Najade in Ariadne auf Naxos. She also sang the title role in Lucia di Lammermoor with Opera Naples; Venus in Le Grand Macabre with New York Philharmonic conducted by Alan Gilbert; as soloist with Los Angeles Philharmonic in Unsuk Chin’s Cantatrix Sopranica; as soloist in Messiah with National Philharmonic; as soloist in Mozart’s Mass in C Minor with Valdosta Symphony Orchestra; as Rosina in Il barbiere di Siviglia with Opera Memphis and Mississippi Opera; and the Queen of the Night with Spoleto Festival USA and with Cincinnati Opera.
Other highlights include the Queen of the Night with Santa Fe Opera, Pittsburgh Opera and Opera Ontario; Zerbinetta with Tanglewood Music Festival; Cunegonde with Toledo Opera; Gilda in Rigoletto with San Antonio Opera; Rosina with Portland SummerFest and Gretel in Hänsel und Gretelwith Syracuse Opera; Blondchen in Die Entführung aus dem Serail, Juliette in Roméo et Juliette, and Anne in Sondheim’s A Little Night Music all with Hawaii Opera Theatre; The Controller in Jonathan Dove’s Flight, Adina in L’elisir d’amore, Giulietta in I Capuleti e i Montecchi, and Erisbe in Cavalli’s Ormindo all with Pittsburgh Opera as a resident artist; the Accuser in Bright Sheng’s world premiere of Madame Mao as an apprentice artist with Santa Fe Opera; and Amor in Orfeo ed Euridice with Bel Canto Northwest Festival. With the National Philharmonic she has sung as soloist in Brahms’ Requiem, Orff’s Carmina Burana, Makris’ Symphony for Soprano and Strings, and Vivaldi’s Gloria. She also appeared in recital, making her European debut, at the Bach to Bartók Festival in Imola, Italy.
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